The art of seeing salvation

Each summer those beginning or continuing their ordination training at Sarum College gather for a week of fellowship, exploration and reflection.  This year’s ‘Summer School’ focused on the use of art to help us ‘see salvation’: in the stones that have been calved and placed to gather amongst; in the sculptures formed by hands and machines to walk around; and in the paint applied to paper, canvas and plaster to gaze upon.  Although much of the art looked at during the week was formed with a clear religious intentionality behind it, an expression of faith and worship by an artist, not all of it did.  Indeed it was one of these latter pieces that provoked the greatest reaction and insight into ‘seeing salvation’.  The piece was Zak Ové’s “Black and Blue: The Invisible Man and the Masque of Blackness”, seen during a visit to the New Art Centre at Roche Court, near Salisbury.  Continue reading