In my previous post I wrote about my determination to find a pattern of daily prayer that suited being a working parent. The combination of the school run, a days work, family life and church had made if difficult to find enough space and time to connect with God through dwelling on liturgy and scripture.
I decided to take 3 different sources of the Daily Office available in multiple formats and focus on each for a week: Common Prayer: A Liturgy for Ordinary Radicals, the Northumbria Community’s Daily Office and the Church of England’s Time to Pray. which together combine a mixture of books, the internet, smart-phones and music.
This post is part reflection and part review of these and the impact focusing on applying them to an inconsistent and complicated schedule had on me. As I found out when trying to do Morning, Midday and Night Prayer, not each format is necessarily suited to each part of the day. Continue reading
Warning: this post contains plot details and spoilers from the film Silence by Martin Scorsese.
Martin Scorsese is not one afraid to ask challenging questions about the nature of man and faith, questions that some find simply the mention of a step too far, even heretical. Faith is something that has been a subject of exploration in his life and films. Having once sought to become a priest he famously adapted and filmed Nikos Kazantzakis’ novel The Last Temptation of Christ, exploring the idea that Jesus may have struggled with his contrasting human and divine nature.
In his latest movie Silence he has taken more challenging areas to explore by taking Shusako Endo’s novel about 2 Jesuit priests who travel to 17th Century Japan in search of their former mentor who, according to rumours, had renounced his faith. At that time Christians in Japan were suffering under a brutal regime seeking to wipe out the faith. They were forced to renounce their faith, an act known as apostasy, by stepping on an image of Christ known as a fumie. Those that refused to apostatise were tortured, often to a slow and excruciating death.
The title alludes to Gods seeming silence or absence whilst people suffer for their belief in Him, and as the priests watch the persecution unforced around them their faith is severely tested. Whilst believers’ faith gives them strength, the priests struggle to maintain their own faith as the silence breeds doubts.
The film illustrates some of the challenges the persecuted church went through then, and still does today. One of those challenges is the decision whether to profess and practice a faith in public and risk the consequences or to hide their faith away, even publicly renounce or denounce it, and consciously act against the God they privately believe in.